
Why practise piano scales? … and arpeggios!
What are benefits of scale practice, and what are the best ways to practise scales? The Aristocats knew: "Every truly cultured music student knows, You must learn your scales and your arpeggios"
What are benefits of scale practice, and what are the best ways to practise scales? The Aristocats knew: "Every truly cultured music student knows, You must learn your scales and your arpeggios"
There are too many scales in ABRSM piano exams: far more than for other instruments - and I have sat across the table from the chief examiner and told her so. Why are there just scales and arpeggios and not technical exercises, as for other instruments?
Which exam board should aspiring musicians follow? Which has the best syllabus? and which has the best structure? For years I have followed ABRSM: ABRSM is the gold standard, imho, against which other boards could and should compare themselves.
I've recently posted some Learning Guides to practising Diminished and Dominant Sevenths for ABRSM Grade 8 piano. I felt that students needed a framework for practice: so that they could see more easily the common elements in some of these arpeggios, and the differences in others.
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